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ORWELL ROLLS IN HIS GRAVE

“Who controls the past… controls the future – who controls the present controls the past.” — Orwell, 1984.  

“Orwell Rolls in His Grave” is a social, historical, and advocacy nonfiction work about television and print media. It asks questions and explores issues using an objective reality format that presents facts, prompting you to think about the world you live in today.

Public’s Need to Know

Using quotes from George Orwell’s novel “1984,” the documentary film “Orwell Rolls In His Grave,” written, directed, and edited by Robert Kane Pappas, examines the role of media in today’s world. It is a prophetic documentary delivering a message that feels even more urgent now than when it was made in 2004. The film raises controversial questions about political and corporate control of the public’s right to know. Pappas, supported by knowledgeable individuals, analyzes recent events, revealing what they see as the Orwellian aspects of modern life.

 

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“Who controls the past… controls the future – who controls the present controls the past.” — Orwell, 1984.

Quotes From Orwell’s Novel “1984”

Using quotes from George Orwell’s novel “1984,” the documentary film “Orwell Rolls In His Grave,” written, directed, and edited by Robert Kane Pappas, explores the role of media in today’s world. It is a prophetic documentary conveying a message that seems even more urgent today than when the film was made in 2004. Orwell Rolls In His Grave asks controversial questions about issues related to political and corporate control of the public’s need to know. Pappas, aided by some knowledgeable people, deconstructs recent events, bringing to light what they believe is the Orwellian nature of modern life.

Does the Media Control Our Thinking?

The documentary raises several important questions. Are we living in a ‘mediaocracy”? Has the media become the authority on what news and information reaches the public? Is “news” about events or simply marketing for viewership? These and many other topics are examined beyond the Fox News fake “fair and balanced” format. The documentary features clips of Michael Moore speaking, interviews with Vermont Representative Bernie Sanders, Charles Lewis, director of the Center for Public Integrity, Greg Palast, author of The Best Democracy Money Can Buy, Vincent Bugliosi, a former L.A. prosecutor and legal scholar, and others.

The documentary’s format combines interviews, graphics, narration, news clips, statistics, quotes, and archival footage to create a narrative that feels relevant to today’s reality, both in the United States and possibly worldwide. While foreboding background music underscores quotes from Orwell and other scenes, the film does not try to manipulate viewers; it presents facts, asks questions, and clearly supports a viewpoint backed by evidence.

“If you repeat a lie often enough, people will believe it.” —  Joesph Goebbels Orwell Rolls In His Grave presents facts that every American should consider

One topic discussed in the film is how the media failed during the 2000 election, especially during the dispute over Florida’s vote count between Al Gore and G.W. Bush. The film also questions why the media has not investigated the sharp increase in wealth for a small elite, despite most citizens experiencing a decline in earnings.

Goebbels, Hitler’s propaganda minister, said: “…what you want in a media system [is] ostensible diversity – that conceals actual uniformity.”

The film explores modern media within this context and others. If all newspapers, television, radio, and cable systems are owned by a few corporations, how much diversity truly exists? The myth of the ‘Liberal Media” is examined against the reality that the media is owned by corporations with conservative interests. While individual reporters or writers may hold progressive views, do those ideas reach a broad audience?

“Orwell Rolls In His Grave” is a social, historical, and advocacy nonfiction story. It questions and explores issues using an objective reality approach, presenting facts to encourage reflection on today’s world. This documentary clears away the foggy lenses of indifference and spin to reveal a world that would make “Orwell Rolls In His Grave.”

Review by

James R Martin – Author –Documentary Directing and Storytelling

ORWELL ROLES IN HIS GRAVE – 2004 – 105 MINUTES – DIRECTED BY Robert Kane Pappas – Go Cart Films and SAG HARBOR – BASEMENT PICTURES

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[amazon_image id=”B0008237AA” link=”true” target=”_blank” size=”medium” ]Orwell Rolls in His Grave[/amazon_image]

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Documentary Production Update – The Baldwin Park Story

Shooting in Baldwin Park
Shooting in Baldwin Park

After some interviews with individuals associated with the development of Baldwin Park in Orlando, Florida shooting began in and around the downtown area and along Lake Baldwin. The notion was to get some footage that would complement the interviews and give us a feel for what this “planned community” looked like.

Baldwin Park is built on the ground, which was once a Naval Training Center that was closed 1993. Located in Orlando, 10 minutes from the down town area it was acquired by the City. After much debate and time it was developed as new community, based on New Ubanism concepts in the heart of the city.

The documentary begins with this community and plans to explore the ideas of New Unbanism, Planned Communities, Green Communities and the shift from suburban living to revitalized urban environments.

Baldwin Park, Orlando has been successful in a number of ways as an urban planned community and provides the documentary with starting place to look at other communities and aspects of New Urbanism and Urban Planning.

The documentary also plans to follow a number of families and individuals moving to and living in Baldwin Park and similar urban areas to learn first hand who and why people live there.

J R Martin

Downtown Baldwin Park, Orlando, FLorida
Downtown Baldwin Park, Orlando, FLorida
Street Fair Baldwin Park, Orlando
Street Fair Baldwin Park, Orlando
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Making Documentaries

Baldwin Park
Photograph © JRM

DOCUMENTARY STORY TELLING

Documentary story telling is as old as human life, older then cave paintings, older then Neolithic nomads passing on hunting skills and survival stories. It is perhaps one of our most important ways of handing down information and exploring reality.

Think about it for a moment and it becomes obvious that even early folklore and fiction were metaphors for human experience and intellect that reflected or tried to understand non-fiction realities. When there was no written language, documentary stories were told orally. Someone actually experienced being chased by a tiger and was able to survive and pass on the account from his or her own point-of-view (POV). Perhaps they traced the route or location of the attack in the earth as they told the story so everyone knew where the tiger might be lurking and even drew a picture of the tiger leaping from a rock somewhere. This story would be passed down to the next generation or to the neighbors or other families in the vicinity until it became legend, embellished by each generation no doubt.

Today we might interview the person who encountered the tiger, then go to the location and show the route and perhaps even the tiger if he was still around. We have all sorts of methods of recording reality i.e. events that are actually happening with people being spontaneously interviewed, unrehearsed, not manipulated, the event itself not scripted, and no actors employed.

J R Martin

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